No matter your age, shooting old school film has a distinctly romantic, vintage appeal - at least until you start contemplating how you're going to turn those rolls of negatives into physical prints and share them. The good news is that if you live in the Knoxville metro area, there's a new option in town!
Starting in the late 80s, and stretching well into the early 2000s, one hour film labs were found in virtually every drugstore, alongside discount chains like Costco and Walmart. Several years ago, these labs began rapidly vanishing. As digital photography overtook film in the 2010s, demand for high volume, rapid processing predictably evaporated.
Happily, there remain a number of pro labs where you can mail in rolls of film. Two labs I personally recommend to readers are the Old School Photo Lab in New Hampshire, and The Darkroom in California. Both labs offer digital scans that you can download before your negatives (and any prints you've ordered) even make it back to your mailbox.
Avid film shooters must now choose between sending film out for processing to one of these professional labs, or learn how to process film at home. As detailed in previous blog articles, processing black and white (and even color) film at home is surprisingly easy and inexpensive with photographic supplies readily available online. Many of us who "soup" our own film end up digitally scanning it for editing and to share online. You don't even need a darkroom to develop film - just a light tight bathroom or inexpensive film changing bag will do the trick. That's one option.
What if you want to print those negatives directly yourself, without needing a computer to scan them? While it's possible to set up a home darkroom in even the tiniest of spaces (such as a closet or bathroom), it's not necessarily practical for everyone to do so. My own "darkroom" is in an attached storage shed that lacks AC and running water. It's workable in cooler weather, but entirely impractical during the hot summer months!
Fortunately, film aficionados in cities around the country have banded together to form non-profit, community darkrooms, where you can develop your film, print using conventional enlargers on silver gelatin paper, and enjoy interacting with fellow artists who appreciate the traditional (and not-so-traditional), "analog" methods of making photographs. These community darkrooms are a great way to keep traditional processes alive and relevant in the consciousness of today's photographers.